AD Campaign: Australian NBN

I just shot an image for a new campaign for the Australian National Broadband Network. The shoot was part of a larger TVC ad featuring a story of two deaf women who take advantage of the new high speed network by chatting (through sign language) over video.

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Client: Australia NBN Agency: BWM Dentsu

St George Bank Ad Shoot: Bowl Cut

St. George Bank Bowl Cut

I just shot an ad for St. George Bank that was a blast to shoot. We spent the day shooting a kid with a couple different wigs on and we started off with a conservatively well-cut bowl cut haircut for each wig. I started hacking away at them with terrible scissors until the haircuts became progressively more awful and the crew and models were laughing between shots. It was a blast to shoot.

Client: St. George Bank Agency: Saatchi & Saatchi Art Director: Simon O'Niel

OPSM ad Campaign in Napier, New Zealand

OPSM-NZ-Vintner

I recently wrote a post about an ad campaign that I shot for the eyewear retailer OPSM in Busselton, Western Australia with Saatchi & Saatchi. The images below are just a few of the shots that I did for the brand to tell some of the stories of the everyday people in Napier, New Zealand. I love New Zealand- aside from having incredibly beautiful landscapes the people there are quite beautiful and agreeable in their own right. We met a huge range of people from architects, designers, farmers, fisherman, tractor mechanics, vintners and even a Scottish bag piping corps and I felt blessed to be able to meet these people, hear their stories and shoot in such an intimate way. We shot there for a week and I averaged 16 hour days and took portraits of over 50 people and plenty of landscapes and I was exhausted in the end but really had great shoot.

Portrait of young woman bag piper and pipers playing

Landscape panoramic of Napier, New Zealand

Portrait of mother and young baby smiling

Portrait of young welder in workshop

Man jogging on Te Mata Mountain, New Zealand

Portraits of women men wearing glasses

Portrait of small scale train conductor repairing steam train.

Portrait of Architect working on drawings with a lamp and table

The town and its surrounds are an interesting mix of 1930s art deco architecture and farms offering fresh picked cherries, figs, berries and veggies everywhere we went. I ate some of the freshest, tastiest food I've ever had and we felt welcomed by friendly faces everywhere we went. If you're ever there, be sure to check out the lovely people at Aroha and Friends.

OPSM Ad Campaign in Australia and New Zealand

I recently spent several weeks traveling and working with Saatchi & Saatchi on a new ad campaign for the eye wear retailer OPSM. The job was a really exciting project for me to be a part of because it picked two small towns- Busselton, Western Australia and Napier, New Zealand- and found people of all ages and walks of life who use and need their product, eye glasses. Saatchi & Saatchi scoured through Australian and New Zealand census data to determine a town in each country that encompassed the broad range of types of jobs, incomes, ethnicities etc. that represent each country. We met with bushfire fighters, a horse whisperer, a bagpipe marching band, a master jeweller and a beekeeper just to name a few. I was really excited by the notion of shooting my favorite subject in advertising work: real people with real stories. These are just a few of the shots from Busselton, Western Australia. I'll post images from the New Zealand campaign which was shot in Napier, New Zealand in the near future.

Like most of the large productions I've been working on lately, I was shooting alongside a TVC production that was filming spots for TV and the web, while I was shooting images for the new catalog, website and everything print- in-store, billboards etc. We shot every day for 10-14 hours a day for 2 weeks and I ended up shooting portraits of over 100 people and a lot of landscapes along the way. Most days I would shoot alongside the TVC crew, grabbing shots when I could and stepping in when the TVC guys were done or had a few minutes to hand the subject and location over to me. In each city I had a day to shoot 25 portraits a day which broke down to a new location, set up and portrait every 20 minutes or so for 9 hours. An exhausting but exhilarating exercise as the opportunity to meet new people with great stories just kept coming. At one point I ended up getting pretty emotional at a small town bag piper rehearsal after feeling so lucky that these people would allow us to come in and be a part of their private experience, something I would have never been able to know about or be a part of if I was on my own traveling through this small town.

At the end of the 2 week assignment I'd shot portraits of more than 100 people, was tired, sore and really missed home but damn, I enjoyed that job. I'd do it again in a heartbeat.

CD: Matt Gilmour Sr AD: Nils Eberhardt Sr Copywriter: Veronica Copestake The TVC/Motion campaign was produced by Tobias Webster at EXIT Films and directed by Stephen Carroll.

AWARD: Luerzer's Archive 200 Best Advertising Photographers Worldwide

I'm incredibly honoured and proud to have one of my images chosen for the 2014/15 Luerzer's Archive 200 Best Advertising Photographers Worldwide issue. They chose an image that I shot for Subaru while I was in Norway. Thanks Luerzer's!

Vodafone 4G Ad Campaign

I just recently shot a new campaign for Vodafone launching their new 4G service. The job involved working with massive, real letters spelling out the "4G" that weighed several hundred pounds and took a team of moving experts to get the unwieldy, fragile and extremely expensive props into place. We started off at 2:30 AM shooting on Sydney Harbour and finished off the day at 8 at night shooting in a park filled with frollicking dogs in the Eastern Suburbs. Considering the challenges of working on such a long production day on location we really lucked out with weather, the props surviving the moves and avoiding the dog poo at the park and had a great time.