ORIGIN Energy: Solar for Industry photo shoot
I recently shot a small library of images for Origin Energy’s solar division for both industry and residential uses. I’ve been using a drone more often lately in my advertising shoots where we need a variety of landscape shots to tell the whole story. This was definitely a shoot where using a drone was actually a real necessity and would have been impossible using a helicopter as I probably would have done 5 years ago.
Folsom Prison and THE WORK Documentary
This year a documentary called The Work was released about a prison-therapy program in Folsom State Prison in California. The documentary follows a group of men from the outside who join a circle of maximum security inmates for 4 days of intense group therapy work. The film focuses on 3 men from the outside as they sit in a circle with other outside men and maximum security inmates and follows the jarring emotional journey that the group therapy work takes them on. I was asked by the director Jairus McLeary to be the stills photographer and an extra cameraman as part of the crew that went in to film one of these 4 day therapy retreats at Folsom Prison. I shot hundreds of images over those days documenting the group process as well shooting portraits of many of the individuals who participated.
My introduction with the Folsom Prison experience came about purely by chance. I met Jairus McLeary -the future director of The Work- in 2000 when Jairus McLeary and I were waiting tables together at a restaurant in the college town we lived in. We became pretty good friends and that year I spent Thanksgiving at his parent’s house. That’s when I met Jairus’ whole family, who all seem to be involved in some way even back then with Inside Circle Foundation’s work at Folsom Prison. Jairus’ dad James McLeary is one of the lead facilitators with Inside Circle and Jairus’ brothers went on to be his collaborators in making the film. At some point in my relationship with the family James and Jairus suggested that I try going to Folsom. I didn’t really know much about what the experience was about and they didn’t really offer up too much information about it other than vague anecdotes that Jairus would share about “this incredible process” he would take part in. For some reason I simply trusted them and took this leap forward into something I didn’t really know much about or what to expect.
In 2006 I went to Folsom Prison with the Inside Circle Foundation as an initiate, surrounded by strangers from the outside and the inside and I more or less unwittingly began a process that completely changed my life. I walked in a line into the chapel with other men from the outside and stood in a circle facing inmates, some of whom seemed to be just as in the dark as I was about what to expect. The next 4 days were the most transformative 4 days of my life. I walked into a room that became a safe space for the most intensely profound stories, emotions and experiences that I had ever encountered. There was something in the process too that I discovered for myself and that was learning how to be of service and support to someone else, outside of personal judgement. No one in that chapel, from the inside world or out, was there to hear my opinions. Because I had no idea what I was doing, I just did my best to shut up and listen to others and be of support in any way I could. I screwed up a few times but that seemed to be part of the process as well. Everyone got a chance to be heard, to do their work, to support and be supported. When it was my turn, I was challenged in a way that I had never thought possible and somehow got through it with men from the outside and inside by my side.
I consider going to Folsom the single most important decision of my life because it began a process that completely changed the direction of my life afterwards and opened the door to all the other important decisions I would end up making. It put me on a path of change that led to me examining what I valued in my life, what was working in my life vs. what wasn’t and how I fit in the world. It led to me meeting and marrying my wife, becoming a father, moving to a different country and pretty much who I became after that experience. I went back in 2008 and had a very different but very rewarding experience then too. It should be noted that there has not been a single prisoner who has gone through the Inside Circle Foundation program and Folsom prison who has gotten out of prison has ever returned.
I’m not sure when Jairus and his family began the process of trying to make the documentary happen but by 2009 everything had finally fallen in place for them to film. In 2009 the documentary crew went in to film the process which has been happening twice year for almost 20 years.
After 8 years, due to a variety of reasons for delays, the film was finally released in 2017 to much acclaim. It has won several awards in major film festivals around the world including 2017 Best Documentary at SXSW. It has earned 100% from Rotten Tomatoes and 4/5 stars from RogerEbert.com and IMDB to name a few. Follow the links below to watch the trailer and learn more about the film and the Inside Circle Foundation.
Watch the full movie of THE WORK here. Website for THE WORK. Facebook for THE WORK.
Learn more about the Inside Circle Foundation.
Winner of the 2014 Head On Photo Festival Portrait Prize
Portrait of Kirrilee Edwards, winner of the 2014 Head On Photo Prize
I was thrilled last night to learn that I had won the grand prize for the 2014 Head On Portrait Prize for this image:
The image came from a story that I shot for Good Weekend Magazine about the children's hospice organization Bear Cottage and some of the families who rely on their resources and care. This image in particular came as a result of a wonderful experience meeting the family of Kirrilee Edwards. I felt really welcomed to be with them, to feel their warmth, their sense of humor and love. The Edwards family is a big family and they faced a profound number of struggles because of Kirrilee's devastating illness, but what I saw was an incredible closeness. I felt the best way to give the sense of this family was to show how closely connected they were to Kirrilee and each other. A few months after I shot this image Kirrilee passed away.
I feel an immense sense of gratitude that the Edwards family would let me into their home, welcome me in the way that they did and allow me to be a part in telling their story. For that reason I'm giving half of the prize money that I've won to them. I'm including information below to make donations to Kirrilee's family and Bear Cottage.
Make a Donation to the Edwards family via direct deposit: Troy Edwards Commonwealth Bank of Australia BSB: 062 601 Account: 103 506 78 Memo: Kirrilee
Make a Donation to Bear CottageInformation on Bear Cottage
You can read my original blog entry here about Kirrilee, the shoot and the other families: http://www.joewigdahl.com/sick-kids/.
UPDATE 21/05/2014: Several news outlets who have picked up this story have erroneously stated that Kirrilee was dying or on her deathbed when this image was taken and this is not true. She was at home and healthy at the time of the photoshoot. It is true that a few months after I shot this image Kirrilee passed away at Bear Cottage.
The Monocle Guide to Better Living
The Monocle Magazine has just come out with a hefty new book titled, "The Monocle Guide to Better Living" and I have a two page spread inside featuring a shoot about swimming in Sydney I did for them last year. It's a beautiful book and it's great to have my images alongside other photographers and stories from around the world.
Mazda BT-50 Shoot: Zoom Zoom Magazine
Last month I was asked by the UK's Redwood Media Group to shoot a story featuring Mazda's new BT-50 model for its award-winning online presence, Zoom Zoom Magazine. They wanted to tell a story about a day in the life of a BT-50 owner with a natural, reportage feel- showcasing its versatility by following the owner through rough terrain, a surf trip, a trip to the zoo "glamping" (glamorous camping) with his nieces and capped with a night out on the town.We had a looonngggg shot list for the 2 day shoot and I was working alongside Jefferson Grainger, from Corporate Video Australia, who was shooting the motion segment of the piece for the web.
Last month I was asked by the UK's Redwood Media Group to shoot a story featuring Mazda's new BT-50 model for its award-winning online presence, Zoom Zoom Magazine. They wanted to tell a story about a day in the life of a BT-50 owner with a natural, reportage feel- showcasing its versatility by following the owner through rough terrain, a surf trip, a trip to the zoo "glamping" (glamorous camping) with his nieces and capped with a night out on the town.We had a looonngggg shot list for the 2 day shoot and I was working alongside Jefferson Grainger, from Corporate Video Australia, who was shooting the motion segment of the piece for the web. Working alongside a motion crew on the same production can be pretty challenging for a still shooter because it can significantly cut into the time there is to shoot- especially if the motion crew is shooting sound or if they don't want to give time to the still shooter (which happens a lot). Thankfully that wasn't the case in this shoot as Jefferson and I both realized that we were going to have to really work together to make sure that each of us got what we needed and it was actually a lot of fun bouncing ideas off one another as to how to get as many good shots as we could in the time that we had. The client was really happy with the results and I just finished shooting a second feature in Sydney for Zoom Zoom Magazine last week. I've included the tears and just a few of the images from the shoot here.
AFS Construction
I was contacted by the firm Strategy Design & Advertising about shooting some reportage-style imagery for a company profile booklet for their client, AFS Construction. The goal was to make an ordinary, heavy-duty construction site feel like something interesting and dynamic so that they could really showcase what was unique about the equipment and crew of AFS.
A few months ago I was contacted by the firm Strategy Design & Advertising about shooting some reportage-style imagery for a company profile booklet for their client, AFS Construction. The goal was to make an ordinary, heavy-duty construction site feel like something interesting and dynamic so that they could really showcase what was unique about the equipment and crew of AFS. I had only 4 hours to get as much imagery as I could and it was my first time on an Australian construction site so I was pretty surprised when I had to spend the first 2 hours of the shoot in safety and regulations training, multiple waiver and release signings and pass two mandatory breathalyzer tests before I was allowed to even step foot on the site. While I was learning about evacuation points and procedures during fires, chemical spills and natural disasters I was watching the sun move and I was losing light. I was relieved to finally get on site with 2 chaperones and less than two hours left and was luckily able to get quite a good range of images. I was thrilled to see the final designed booklet and website that Strategy Design had come up with and these are the results:
After the shoot was done I was left a little exasperated by what seemed like an overabundance of caution. After thinking about it a bit more I had a change of heart when I started to realize how little caution was exercised on similar shoots I had been on in the U.S. When shooting on top of a skyscraper under construction in Chicago a few years ago the site foreman handed me a helmet, said, "Just don't fall off the side and you'll be okay," and then let me roam around on my own for several hours. I've been on work sites where I've seen fork lift operators drinking vodka before a shift at 7am, contractors rewiring a room with bare hands on live wires, and my own (unwise) safety decisions like shooting in a helicopter in the beginning of a massive electrical storm. The more I thought about how the Australians approach workplace safety the more I'm surprised that Americans seem so laissez-faire about safety- especially with the cost of healthcare and number of lawsuits there.
Project Credits: Agency- Strategy Design & Advertising.
Creative Director/Designer- Dan Mercer. Designers- Geoff Courtman & Christina Perry.
Photos of booklet and website courtesy of Strategy Design & Advertising.
