AD Campaign: NRMA
We recently worked with Houston Design Group in Sydney to create a range of lifestyle images for NRMA /National Roads and Motorists' Association. Outside of their insurance and roadside assistance programs, they've recently developed partnerships with camping and caravan parks around Australia as well as new phone apps that help travelers and NRMA customers with a variety of tasks. We created a small image library for NRMA around these new products for them that focused on family road trips, travel and app use.
Client: NRMA
Agency: Houston Design Group
Campaign: Destination Gold Coast
A campaign I just shot for Gold Coast Tourism has just started to roll out. We set out to look past the party reputation that the Gold Coast is well known for and tried to capture the sense of how beautiful the Gold Coast and the area around the GC really is. There will be more shots from the campaign to come but this is what I've got so far...
Client: Gold Coast Tourism
Agency: JWT Sydney
Campaign: Carnival Cruises
I recently shot a big ad campaign and image library for Carnival Cruises and the images have just started to hit the streets. We spent about a week on the Carnival Cruise ship The Spirit island hopping around New Caledonia and then sailing back to Sydney. I really loved this job because we brought on 2 real families for the shoot and we just took pictures of them having a lot of fun. No acting, no hair and makeup or wardrobe. Most of the photo shoot went along the lines of "Hey, can you guys eat some ice cream and then go down those water slides over and over again?" Then the kids would basically go nuts, everyone would run around and I would try to keep up, shooting as much as I could. We would shoot all day every day and then have dinner together at night and had a pretty happy routine- the kids were always looking forward to our next activity because they knew that I was going to let them go crazy. At the end of the shoot the kids cried because they were going to miss us so much. There were so many fun, genuine moments that I just picked a few of my favorites here.
Red Rooster's New Look
The Australian food chain Red Rooster has started to go with a totally new look. Alongside a totally new design of their restaurants they're also going with a new look for their ad imagery. I was asked to shoot some shots for print alongside a TVC crew that was filming some new spots for Red Rooster.
My Great Grandfather's Archive- Vintage Family Photos
My great-grandfather Hubert Vivian Wilson was an Australian engineer who moved to the U.S. around 1906 or so to work for the earthworks and mining machinery company Bucyrus-Erie in South Milwaukee, Wisconsin. He was a hobbyist photographer and spent decades documenting his family, his work and his travels around the world. A few years ago I inherited two boxes of his vintage negatives- since I have no access to a dark room it's taken me some time to go through them.
Fred Wilson, standing on a peak in the Sierra Nevada Mountains.
My great-grandfather Hubert Vivian Wilson was an Australian engineer who moved to the U.S. around 1906 or so to work for the earthworks and mining machinery company Bucyrus-Erie in South Milwaukee, Wisconsin. He was a hobbyist photographer and spent decades documenting his family, his work and his travels around the world. A few years ago I inherited two boxes of his vintage negatives- since I have no access to a dark room it's taken me some time to go through them. When most people get their family shoebox shots the whos, whats, wheres, and whens are often lost to time and the memories of people who have long since passed away or moved on. I'm extremely lucky in this regard- with the detail and thoroughness of an engineer my great grandfather numbered each negative and kept a little pocketbook describing for each negative the dates, places, and people in the pictures. In some cases I've found pictures of American and Australian locations that I've actually been to, but have changed so much in the 90 years since he took the pictures that I wouldn't have recognised them unless he had named them in his little pocket diary.
Fred Wilson, in the Sierra Nevada Mountains.
I've borrowed a scanner from a friend and as I've started to go over the images I've started to realise that he was actually a pretty impressive photographer in his own right. Below are some shots he took of my grandfather, Fred Wilson, when he was in his early twenties (looking rather rugged and dashing) and working in a silver mine in the Californian Sierra Nevada Mountains. In the coming months I'll post more pics from time to time to share some of the amazing gems that I've been finding.
Vintage photo of young man in old clothes and sombrero
Australian Mangoes
Mangoes in the summer in Australia are amazing- during my first summer here in Sydney I went crazy for them. Every Sunday I would buy a box of 20 mangoes for 20 bucks and spend the next couple days dripping with juice, eating them over the sink. My mother-in-law grew up in South Africa and her fondest memories of Christmas always involved piles of mangoes (and that's all that she ever wants from us for Christmas). Needless to say, I was pretty excited when the people who represent Aussie Mangoes contacted me to do some shots for them.
Mangoes in the summer in Australia are amazing- during my first summer here in Sydney I went crazy for them. Every Sunday I would buy a box of 20 mangoes for 20 bucks and spend the next couple days dripping with juice, eating them over the sink. My mother-in-law grew up in South Africa and her fondest memories of Christmas always involved piles of mangoes (and that's all that she ever wants from us for Christmas). Needless to say, I was pretty excited when the people who represent Aussie Mangoes contacted me to do some shots for them. Along with shooting some mango recipes for them they really wanted to show a family doing what Aussie families do best- having barbecues and having fun outside.
After a little searching we ended up lucking out and finding a fantastic family for the shoot. It's not always possible, but if I have the opportunity, I always prefer to work with a real family as opposed to a family made up of assorted talent. The main reason is that, well, it's real. I always think that it serves the client in a better way because they can say, "Yes, this really is a real family enjoying themselves" and it helps me do my job faster because we don't have to worry about any awkwardness- we can dive right in. It also helps with how I approach these types of shoot days. I'm usually presented with a shot list in the brief and I use that as a guide to how the days will flow. Once we get the wardrobe, maybe some props and other lighting/tech things set up I like to push that stuff out of my mind and begin the shoot. In this case, I spent the days cooking and eating with the family, cleaning up, having dessert and then running around in the back yard in the sprinklers with the kids. The end result is that we have a lot of fun and we get a lot of real moments of a family spending time together. I'd say the only negative thing about doing this shoot was that the mom was a little exasperated that I had gotten the kids so wound up and had fed them something like a dozen mangoes each- I think she was a little worried that they were never going to go to sleep again. I got to go home with about 20 kilos of mangoes and spent the next week making mango chutney, mango jam, mango pavlova...
Slicing the Mango
Scooping the mango cheeks out of the skin with a glass.
The mango cheeks removed
Mango, spinach, chicken and white bean salad
Mango, prawn and rocket salad with a capsicum vinaigrette
Mango pavlova
Grilled Lamb and Mangoes
Sick Kids
Good Weekend had an assignment for me a few weeks ago to cover a story about several families with children who are critically ill and have terminal illnesses. In two cases the children were born with a devastating disease that made it unable for them to develop mentally and physically as a normal child would.
Good Weekend had an assignment for me a few weeks ago to cover a story about several families with children who are critically ill and have terminal illnesses. In two cases the children were born with a devastating disease that made it unable for them to develop mentally and physically as a normal child would. In the case of the third child, Kirrilee had led an active, vibrant childhood and then when she was 12 suddenly suffered a mysterious brain illness that left her profoundly impaired and gravely ill for the last 6 years. Her illness requires 24 hours of constant observation and care, most of which is provided by her mother. Update: a few months after writing this article Kirrilee sadly passed away.
Often when I'm asked to shoot something for an assignment it doesn't occur to me how odd it is that I'm a total stranger that people let into their homes. I chat for a while, maybe set up some lights, take some pictures and then leave. It's rare that I get to read a story before I have to shoot for it so I often walk into a shoot situation not really knowing exactly what it is I'm covering. Usually the people I'm taking pictures of aren't familiar with shoots so they don't have a lot of time set aside for me to take pictures and it's pretty hard for me to impose more than an hour or two of shooting so I often have to work fast and thoroughly while trying to keep the subject relaxed.
In each case when I met the families for this shoot I knocked on the door with a sense of apprehension about what I was walking into. How sick would the child be? What would the families be like? Would they be sad? Angry? Would I have to tiptoe around certain subjects? Do they really even want me to take pictures?
As I walked through the front door I was thoroughly surprised at how welcoming and loving each family was and I immediately felt a warmth that I don't often get right away when walking into a stranger's home. I heard stories about 24 hour care, constant trips to hospitals, emotional turmoil, exhaustion and alienation but I also witnessed deep love, acceptance and thriving senses of humor. I was surprised at how often the parents and siblings of these sick children were saying things that had me cracking up. They seemed glad to have me come take pictures so that other people could learn about their stories. I felt lucky to get to meet these families and I really wanted to hang out all day with them. I've posted a video of a Kirrilee's brothers performing a dance routine that they do to keep the family entertained.
http://vimeo.com/39806546
At the end I felt like it was a tough story to shoot because my wife and I had just given birth to a daughter a few weeks before and we had been going through all of the ups and downs of new parenthood. We were dealing with the massive adjustment in sleep loss and lifestyle change and that feeling that we had no idea what were doing. I know that both my wife and I would look at our little girl and feel an enormous sense of love, responsibility and hope for the kind of parents we would be and the type of person our child would become. Seeing these sick children made me think about how families adapt when plans suddenly change and how they deal with the bumps and bruises of a life they didn't expect.
All of these families have needed the professional and medical support of Bear Cottage, an institution in Manly, NSW Australia dedicated to serving children and families of children with life limiting illnesses. Donations to Bear Cottage can be made here: https://support.bandagedbear.org.au/donation-bear-cottage
For more information about Bear Cottage, please go here: http://www.bearcottage.chw.edu.au/
UPDATE 21/05/2014: Several news outlets who have picked up this story have erroneously stated that Kirrilee was dying or on her deathbed when this image was taken and this is not true. She was at home and healthy at the time of the photoshoot. It is true that a few months after I shot this image Kirrilee passed away at Bear Cottage.
